Their work questioned about the close and ambiguous relationships between reality and fiction. Generally part of cultural themes, both academic and popular: A multitude of science, literature, philosophy, music, science-fiction, cinema or architecture references, which often leads them to establish different collaborations with other artists and scientists from different fields.
They workthrough sculpture, video, installations, design or live actions with the aim of questioning the limits of current cultural or biological systems. A consistent strategy of diving into the dead angles of science and technology as an opportunity for knowledge through art and lateral thinking. It aims to create scenarios that refuse to accept the idea that there is a separation between the objective and the subjective, where logical thought has freed itself from the blindness to dream. Let the art be the key to re-watch the world. Create real elements that reflect the complexity of our world, that must be filled by the imagination and creativity that filters through the cracks of knowledge.
Perhaps the key to their work is the impossibility of reaching reality through the rational. Reality, as human knowledge presents itself to us immense, terrible. It makes us understand that reality is made by us. Through our mind, culture, and art, we glimpse some glimpses to which we are giving a unity that allows us to live.
In their work they try to talk about how the force of creativity can with everything, how reality becomes rarefied until it acquires the disturbing quality of fiction. How art makes sense by delving into the cracks that separate the subjective from the objective, the fictitious from reality, the tangible and the imaginary, what is not seen and not seen. and above all that remains hidden. He wants people to wonder if what they see is unreal, or that what they dream is real... or above all to question whether there is any real difference between them.
ELENA URUCATU Y CARLOS MATÉS